A number of pieces for larger ensembles written between 19 show a return to experimental and graphic notation, while much of the work of the eighties explores new ways of using twelve-tone technique. The experience of MEV can be felt in Frederic Rzewski’s compositions of the late sixties and early seventies, which combine elements derived equally from the worlds of written and improvised music.ĭuring the seventies he experimented further with forms in which style and language are treated as structural elements the best-known work of this period is The People United Will Never Be Defeated!, a 50-minute set of piano variations. Bringing together both classical and jazz avant-gardists (like Steve Lacy and Anthony Braxton), MEV developed an esthetic of music as a spontaneous collective process. In Rome in the mid-sixties, together with Alvin Curran and Richard Teitelbaum, he formed the MEV (Musica Elettronica Viva) group, which quickly became known for its pioneering work in live electronics and improvisation. His early friendship with Christian Wolff and David Behrman, and his acquaintance with John Cage and David Tudor, strongly influenced his development in both composition and performance. He went to Italy in 1960, where he studied with Luigi Dallapiccola and met Severino Gazzelloni, with whom he performed in a number of concerts, thus beginning a career as a performer of new piano music. In October 1996, just before the third Other Minds Festival, he returned to Cote d’Ivoire, again on a commission from the Goethe Institute, to continue work with Be-Ta-Foli.įrederic Rzewski (born Westfield, Massachusetts, 1938) studied music first with Charles Mackey of Springfield, and subsequently with Walter Piston, Roger Sessions, and Milton Babbitt at Harvard and Princeton Universities.
As a result of this project, the group “Be-Ta-Foli,” featuring 13 African traditional musicians, Dahlke, and Ligeti, was formed. In 1994, on a commission by the Goethe Institute, he led a workshop and cultural exchange project together with Kurt Dahlke in Abidjan, Cote d’Ivoire. Lukas Ligeti has received Composition Grants of the City of Vienna (1989, 1993), a Composition Prize of the City of Vienna (1990), Austrian State Grants for Composition (1991, 1996), a Prize of the Austrian Ministry for Science and Research (1993), and a Composition Fellowship of the Santa Clara County Arts Council (1995). As a drummer, he has performed in numerous bands playing jazz, rock, and improvised music. His The Chinese Wall (1992) for orchestra and Frozen State of Song (1990-93) for saxophone quartet have been recorded for release on CD later in 1996. Lukas Ligeti’s compositions have been performed by ensembles such as the Austrian Radio Symphony Orchestra, Ensemble Modern, London Sinfonietta, Ensemble “die reihe”, Vienna Saxophone Quartet, and the Kronos Quartet. He was resident in the San Francisco Bay Area 1994-96 as a visiting composer at the Center for Computer Research in Music and Acoustics at Stanford University. Lukas Ligeti (born in Vienna, Austria) studied Composition and Jazz Drums at the Vienna Music Academy. Volume 2 of A World Out Of Time was nominated for a Grammy award. The first of these CDs to be released, A World Out Of Time, is, perhaps, the most successful of all American World Music releases of all time. Henry Kaiser journeyed to the island of Madagascar in 1991, where he and David Lindley recorded 6 CDs for the Shanachie label, in collaboration with various Malagasy musicians. A restless collaborator who constantly seeks the most diverse and personally challenging contexts for his music, he not only produces and contributes to a staggering number of recorded projects, he performs frequently throughout the USA, Europe and Japan, with several regular groupings as well as solo guitar concerts and concerts of freely improvised music with a host of diverse instrumentalists.Įvidence of his exceptional musical breadth and versatility can be found in a partial list of the extraordinary artists with whom he has recorded and/or performed: Herbie Hancock David Lindley, Bob Weir, The Rova Sax Quartet, Elliot Sharp, John “Drumbo” French, Raymond Kane, Michael McClure, Bill Laswell, Steve Lacy, Fred Frith, Terry Riley, Ryuichi Sakamoto, John Zorn, Bill Frisell, Sang-Won Park, Jin-Hi Kim, John Oswald, Yuji Takahashi, John Tchicai, George Lewis, Jerry Garcia, Miya Masaoka, and Cecil Taylor.
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As one of the “first generation” of American free improvisers, he has helped unfetter the guitar from the conventions of genre-bound techniques. Henry Kaiser (born Oakland, California, 1952) is widely recognized as one of the most creative and innovative guitarists, improvisers, and producers in the fields of rock, jazz, and experimental music.
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